Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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November 19, 2008 KR Blog Uncategorized

The Golden Notebook Project

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We’re a little late telling you about the party, but there’s some benefit in being casually late, right? For those who haven’t yet found it, you need to visit The Golden Notebook Project. Here’s an excerpt from the description from Bob Stein, the director of The Institute for the Future of the Book:

On November 10th, The Institute for the Future of the Book kicks off an experiment in close reading. Seven women will read Doris Lessing’s The Golden Notebook and carry on a conversation in the margins. Thanks to the efforts of Chris Meade, the director of if:book London, the Arts Council England enthusiastically and generously agreed to fund the project. Chris was also the link to Doris Lessing who through her publisher HarperCollins signed on with the rights to putting the entire text of the novel online.

That’s right–the whole novel is online in a terrific readable format, including comments in the margins from each of the 7 ‘official’ readers. There’s a forum and blog for other readers to participate–and a quick visit will show you that things are well underway.

As an experiment in close-reading, the whole project seems a terrific use of current technology; and while admittedly experimenting in the project description, this experiment carries the weight of huge potential. Spend time some time looking at the TGNP site, and you begin to think about what it would be like to participate in a class this way–where students kept reading notes and discussed as they read the text, all online. You begin to think that reading, so solitary an act, could become something perfectly communal–something public by nature instead of private. And the part of this project that is most interesting–does the reading experience change if reading becomes a public act?

That’s what I’m having fun thinking about as I read through the notes. Read along, too.

About the Program

The Kenyon Review Associates Program provides Kenyon students with valuable experience in literary editing, publishing, and programming. KR Associates work closely with Kenyon Review staff, gaining valuable experience in a number of editing, publishing, and programming areas including manuscript evaluation, publicity and marketing, copy editing, developing web site and social media content, outreach programming, event planning and promotion, and other creative and editorial projects

KR Associates attend regular seminars conducted by Kenyon Review editorial staff, visiting readers, and publishing industry professionals. These seminars cover a wide range of topics including editorial philosophy, evaluation of submissions, print and electronic production, marketing, and design.

KR Associates also enjoy exclusive access to visiting writers and speakers, free issues of The Kenyon Review, and valuable work experience and employment references.

This program is made possible through an initiative of the Kenyon Review, part of the mission of which is to contribute to the enrichment of the academic, cultural, and artistic life of the Kenyon College community.

Requirements and Expectations

  • Submission Evaluation: All Associates are required to read and evaluate eight Kenyon Review submissions per week. Associates who are not able to complete their weekly submission assignments for more than two weeks in a row may not be allowed to continue in the program.
  • Trainings and Seminars: In-person attendance is mandatory at all trainings and seminars. We plan on scheduling six to eight seminars per semester, and most will take place on Thursdays during common hour.
  • Literary Engagement: Associates are expected to participate in literary events on campus and throughout the local community.

Application Details

Applications for the Associates Program are accepted each fall. Kenyon students will receive more information about the program and a link to the application via campus email near the beginning of the fall semester.

Questions? Please contact Jamie Lyn Smith for more information.