February 27, 2017
Innovation in Conversation (Part IV): Speaking with Randall Mann, Richie Hofmann, Phillip B. Williams, and Chen Chen
Over the past few months, I’ve spent time here at The Kenyon Review blog with the art and thought of contemporary poets engaged in formal innovation, focusing in particular on […]
February 6, 2017
On “Chen [No Middle Name] Chen”: Identity in Form
When I first encountered Chen Chen’s poem “Chen [No Middle Name] Chen,” another example of a poet engaged with the anagram as a formal construct (I have considered, in varying […]
January 14, 2017
Innovation in Conversation: Part II
In my last post, I segued from thinking about Terrance Hayes’s formal innovation to thinking about other poets’ formal innovations (and the possible conversations or influences therein), spending time with Randall Mann’s “Straight […]
January 6, 2017
Innovation in Conversation: Part I
In thinking about formal innovation in the poetry of Terrance Hayes in my last post, it struck me that, paradoxically, innovation loves company. As a reader, when I encounter formal “newness,” […]
December 22, 2016
The End of the Line: Terrance Hayes and Formal Innovation
If asked whose formal innovations have most influenced a current generation of younger poets, the first name out of my mouth would be Terrance Hayes. His “Golden Shovel” form is a […]