Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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November 28, 2017

Why I Love “Low” Art

By Caroline Hagood

Where to begin with why I have always valued entertainment considered (by snobs, let’s be honest) to be “lowbrow”? For one thing, this preference led me to my dissertation. I […]

September 20, 2017

Film as Poetry’s Modern Sister Art

By Caroline Hagood

  People often ask me why I think poetry and film go together like peanut butter and jelly, and I say, “Well, it’s kind of like that Videodrome interview,” and they […]

July 21, 2017

On Writing at the Movie Theater

By Caroline Hagood

I covet the space of the in-between. This is why I see so many movies in the theater. The movie theater is a liminal space, situated between the darkened fantasy […]

July 14, 2017

Buckskin Cocaine

By Caroline Hagood

Erika Wurth’s lyrical short story collection Buckskin Cocaine, a compendium of voices from the Native American film scene, puts questions of seeing and identity at its center. “Robert Two-Stories,” for […]

July 5, 2017

A Writer’s Romance with Screens

By Caroline Hagood

When I can’t put my finger on what I’m feeling, I want to Shazam it or press Control+F, and then I realize I’m turning into a machine. In Adrienne Rich’s […]