July 16, 2019
On Writing as Wish Fulfillment
I was in elementary school when I first started “writing” stories—I would take the Hot Wheels toy cars I’d collected since I was a toddler, name them all after my […]
October 25, 2015
Life, Liberty, and the Pursuit of Irrelevance
With the American government sending drones overseas, with our military involved over the past decade in conflict after dirty conflict; with the largest incarcerated population in the world, and […]
May 30, 2015
Poetry and Chess
I was perusing YouTube for new movie trailers, as I do sometimes in between cases at work. Confession: I never intend to go watch the flick unless it’s a new […]
May 7, 2015
How the West Inverted its Literary Values
In a true missing-the-forest-for-the-trees phenomenon, modern literary criticism has left unremarked, to my knowledge at least, the totally anomalous body of “great literature” that has come out of Europe and […]
August 20, 2013
Virtues of Madness and Vices of Honey: An Interview with Mary Ruefle
[This interview was preceded by an introduction; you can read that here.] Last year, Ruefle and I corresponded via mail; our correspondence is printed below. You can find out more […]
January 5, 2013
The Alternate Bard: On Shakespeare’s Narrative Poems
Shakespeare’s narrative poems, Venus and Adonis and The Rape of Lucrece, were dedicated to an aristocrat, and full of the conceits and set-piece sequences and strict stanzas that appealed to […]
March 18, 2012
The Unwritten Late-Life Poetry of John Keats as Adumbrated in a Posthumous Epistle
T. S. Eliot says somewhere Keats’s poetry hadn’t yet evolved to the point where it could express the philosophical mind we find in the Letters. Keats, at the time of […]
March 7, 2012
Notes on Capital-T Tragedy
1. Why it started with the Greeks and showed up again with the Elizabethans. What makes a tragedy tragic—as opposed to a story with a sad ending—is that the sufferer […]
February 25, 2012
Poetry, Prose, and Prosetry: Shakespeare’s Hybrid Vigor
Prose took over storytelling (both in narrative and dramatic form) beginning in the 17th century. The prose shift in full-scale narrative commences with Quijote, which is why critics have […]