November 6, 2012
The Weight of What’s Left [Out]: Six Contemporary Erasurists on Their Craft
The choice to use erasure as a poetic technique is not, strictly speaking, a new one: in 1969, for instance, Marcel Broodthaers erased Mallarmé’s Un coup de dés jamais n’abolira le […]
September 22, 2012
Shakespeare’s body, Shakespeare’s ghost: erasure, canonicity, and the apophatic self
I’ll begin with a claim: that every text produces in its writer a sense of the self becoming unglued—that one creates, or expunges, meaning in the form of a literary […]