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B. H. Haggin

Book Reviews

Summer 1957

Concerning Opera

By B. H. Haggin

Opera As Drama. By Joseph Kerman. Knopf. $4.50. The critic’s operation as I understand it and value it is the one described by E. M. Forster at the Harvard Symposium […]

Book Reviews

Spring 1956

Musical Performance

By B. H. Haggin

There is a record of a rehearsal at the 1950 Prades Festival in which Casals stops to explain to the orchestra: “Every note is variety—this is what gives life—otherwise it’s […]

Nonfiction

Autumn 1955

Berlioz

By B. H. Haggin

Judged by the criteria we apply to Mozart, Beethoven, Schubert–namely use of the medium, and what is expressed through this use–Berlioz is one of the greatest musical artists. This estimate […]

Book Reviews

Winter 1939

Genius Limited and Yearning

By B. H. Haggin

GEORGE GERSHWIN. Edited by Merle Armitage. Longmans Green. $5.00 In this book are a number of pieces about Gershwin, a number of photographs of him, the caricatures by Covarrubias and […]