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Fall 2025 • Vol. XLVII No. 4 • Visitation |

Introduction

I first came to the word visitation while on a hike with friends in Michigan’s Upper Peninsula, exchanging half smiles with the other leaf peepers we passed, not yet aware that we were lost. I was listing the things that haunted my writing — God, ghosts, prisons, childhood — and trying to find the unifying principle. Amid the brief and staggering beauty of autumn, we landed on the idea of visitation: impermanence, ephemera, an encounter, a thing made more beautiful by the knowledge that it will end. 

At that time, I was living a visitor’s life. I’d been in the Midwest for half a decade, spending three years in one place, two years in another, preparing to move again. I owned no furniture, too many clothes, too many books. Living in a place I knew I’d leave, I felt temporary, and I felt people treat me as such. Every experience was weighty and weightless at once.  

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Jennifer Galvão is a writer from New York State. She was a recipient of the Kenyon Review Fellowship in Fiction and now serves as the Carol Houck Smith Fiction Fellow at the Wisconsin Institute for Creative Writing. Her short fiction has been published in The Rumpus, The Cincinnati Review, and Hayden’s Ferry Review, and her first novel, Maria, Maria, is forthcoming from Random House 2027.

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