Carl Landauer taught history at Yale, Stanford, and McGill universities. He is currently a contributing editor for Poetry Flash and a visiting scholar with UC Berkeley’s Institute for South Asia Studies. Landauer’s poetry has appeared in Poetry Flash and Exacting Clam, and his writing on the history of culture has appeared in Beat Scene, Salmagundi, Confrontation, The American Scholar, German Studies Review, and Renaissance Quarterly.
Cinema
Spring 2025
But I Drift. I Was in Fact Discussing the Silver
The Kenyon Review · “But I Drift” by Carl Landauer James Ivory’s The Remains of the Day (1993) after Kazuo Ishiguro’s The Remains of the Day (1989)Who is he talking […]
Cinema
Spring 2025
The Kind of Guy You Always Used to Hate
The Kenyon Review · “The Kind of Guy You Always Used to Hate” by Carl Landauer Nunnally Johnson’s The Man in the Gray Flannel Suit (1956) after Sloan Wilson’s The […]
Cinema
Spring 2025
How Do They Call Thee?
The Kenyon Review · "How Do They Call Thee" by Carl Landauer Sam Wood’s For Whom the Bell Tolls (1943) after Ernest Hemingway’s For Whom the Bell Tolls (1940)I remember […]
Cinema
Spring 2025
What Can One Know Even of the People One Lives with Every Day?
The Kenyon Review · “What Can One Know Even of the People One Lives with Every Day?” by Carl Landauer Marleen Gorris’s Mrs. Dalloway (1997) after Virginia Woolf’s Mrs. Dalloway […]