Fall 2014

Poetry

• besmilr brigham

  Giacometti: The Soul; For the Phosphorous Heart

• Judy Brown

  The Astronauts; The Piñata

• Cynthia Cruz

  The Last Film in the World

• Christopher Kempf

  Information Age 

• Sally Wen Mao

  Close Encounters of the Liminal Kind 

• Matthew Minicucci

  What we’re talking about here; Book Twenty-Five 

• Dean Rader

  Relational Self-Portrait 

• Joshua Rivkin

  Flood 

Fiction

• A. Naji Bakhti

  Space

• Andrei Gelasimov translated by Sylvia Maizell

  Paradise Found—A Blog

• Kit Haggard

  Dark

• Richard Lange

  After All 

• Kirk Nesset

  Tower

• Lois Taylor

  Blue Bossa

Drama

• Atar Hadari

  Jailbird

Essay

• S. Li

  Criticism and Self-Criticism

• Khaled Mattawa

  Identity, Power, and a Prayer to Our Lady of Repatriation: On Translating and Writing Poetry

• Khaled Mattawa

  Meet the Poet-Stranger: Three Stories and Their Aftermath

• Khaled Mattawa

  On the Poet’s Presence: Thinking Back, Thinking Forth, and Thinking Darwish and Tagore

• Linwood Rumney

  After Seeing Amour 

• Kilby Smith-McGregor

  Other People’s Words: in friendship 

Review

• Gabriel Blackwell

  What Keeps Me In?: Selfhood in Sarah Blackman’s Mother Box

• Katy Didden

  Untamed Elegy: A Review of Ellen Bryant Voigt’s Headwaters

• John Domini

  Golden State: Edan Lepucki’s California

• Laura Farmer

  On Rachel Cantor’s A Highly Unlikely Scenario: Or, a Neetsa Pizza Employee’s Guide to Saving the World

• Deborah Helen Garfinkle

  A Life and Death of Her Own: Marcelle Sauvageot’s Commentary: (A Tale)

• Lauren Hilger

  “Tin gods and all”: Lilah Hegnauer’s Pantry

• Anna Journey

  The Great Past Tense: On Sean Bishop’s The Night We’re Not Sleeping In

• Anna Journey

  The Queer Baroque: On Saeed Jones’s Prelude to Bruise

• Jenn Mar

  Human Instincts: Solipsism and Anomie in All My Friends 

• Nathaniel Popkin

  We Tell Ourselves Stories: Leslie Jamison’s The Empathy Exams