Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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October 26, 2018

On Character Names

By Aatif Rashid

Picking a character name is often as hard as writing the first line of a new novel or story—the kind of specific and essential task that often halts any momentum […]

October 25, 2018

E.M. Forster on Fantasy and Prophecy

By Aatif Rashid

There is a strange distinction made in the later chapters of E.M. Forster’s Aspects of the Novel, a collection of lectures the author gave at Cambridge in 1927. I’ve already […]

October 22, 2018

Clifton, Pain, and Poetry

By Dora Malech

If you haven’t read Lucille Clifton’s “Wishes for Sons” before, you might assume from the title that it’s a poem about hoping for sons – a mother’s prayerful request for a […]

October 17, 2018

W.D. Snodgrass’s “Heart’s Needle”

By Caroline Hagood

With their radically revealing autobiographical tone and their excavation of trauma, the poems in W.D. Snodgrass’s collection, Heart’s Needle, are undoubtedly confessional. What’s interesting about the poems is that this […]

October 15, 2018

Was Philip Roth a White Male Author?

By Aatif Rashid

It’s been four months now since Philip Roth died, long enough in our fast-paced media world that all the eloquent and moving obituaries have largely dissolved into a broader consensus […]

October 13, 2018

Where’s Papa going with that axe?

By Laura Maylene Walter

As part of my work at Cleveland Public Library, I recently had the pleasure of interviewing Melissa Sweet, the author and illustrator of Some Writer! The Story of E.B. White. Sweet […]

October 10, 2018

William Carlos Williams’s “Paterson”

By Caroline Hagood

If Ezra Pound’s and T.S. Eliot’s project in the Cantos and The Waste Land is, in Patersonian terms, to pull “the disparate together to clarify and compress,” then Williams’s project […]

October 8, 2018

On The English Patient

By Aatif Rashid

Last week, a piece called “The Movie Assassin” made the rounds on social media, part personal essay on the struggles of being a movie reviewer, part analysis of our society’s […]