Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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May 31, 2018

Should Fiction Writers Study Literary Theory?

By Aatif Rashid

In her 2010 review of Mark McGurl’s The Program Era, Elif Batuman makes the following observation: a schism has opened up between literary scholarship and creative writing: disciplines which differ in […]

May 28, 2018

Age of Glass

By Dora Malech

[Continued from American Sonnets for My Past and Future Assassin] Oh, the delight, when, after thinking about American sonnets for some weeks here at the Kenyon Review blog, the Cleveland […]

May 24, 2018

On “The Death of the Novel”

By Aatif Rashid

Declaring that the novel is dead sometimes feels like a pastime as old as the novel itself. Even men in the nineteenth century would lament how the novel was being […]

May 18, 2018

On Character Motivation

By Aatif Rashid

In Will in the World, Stephen Greenblatt argues that Shakespeare’s characters are compelling because he makes their motivations purposefully unclear in order to create greater psychological complexity: “Shakespeare found that […]

April 23, 2018

Fiction as Atonement

By Aatif Rashid

I came across William Maxwell’s 1980 novel So Long, See You Tomorrow after reading an analysis of it in Stacy D’Erasmo’s The Art of Intimacy, another volume in Greywolf’s series […]

April 13, 2018

Against Relatability

By Aatif Rashid

In a recent article in The Baffler, Soraya Roberts argues that the new genre of “Instapoetry,” most famously practiced by Rupi Kaur, is nothing more than a narcissistic feedback loop, […]

April 11, 2018

Marty Skoble on Why Poetry Matters

By Caroline Hagood

(Photo Credit: Noah Davis) For National Poetry Month, I spoke to Marty Skoble, the brilliant man who “teaches” poetry to the students (from lower school to high school) at Saint […]