M.L. Martin is a poet and translator whose current work aims to revise the critical interpretation and reception of the enigmatic Anglo-Saxon poem known as “Wulf and Eadwacer,” and to recover this radical female text to the feminist and experimental canons to which it belongs. Her translations can be found in ANMLY (f.k.a. Drunken Boat), Arkansas International, Brooklyn Rail’s InTranslation, Capilano Review, Columbia Journal, The Literary Review, Lunch Ticket, and Waxwing. A recipient of the Bread Loaf Translators’ Fellowship and the Inprint Paul Verlaine Prize in Poetry, she is currently a Tulsa Artist Fellow. Read more at www.m-l-martin.com.
