Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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Spring 2012 |

The Change

From The Kenyon Review, Winter 1961, Vol. XXIII, No. 1

Blue, unstirrable, dreaming,
The hammerhead goes by the boat,
Passing me slowly in looking.

He has singled me out from the others;
He has put his blue gaze in my brain.
The strength of creation sees through me:

The world is yet blind as beginning.
The shark’s brutal form never changes.
No millions of years shall yet turn him

From himself to a man in love,
Yet I feel that impossible man
Hover near, emerging from darkness,

Like a creature of light from the ocean.
He is what I would make of myself
In ten million years, if I could,

And arise from my brute of a body
To a thing the world never thought of
In a place as apparent as Heaven.

I name the blue shark through the water,
And the heart of my brain has spoken
To me, like an unknown brother,

Gently of ends and beginnings,
Gently of sources and outcomes,
Impossible, brighter than sunlight.

In 1956, James Dickey resigned his teaching position at The University of Florida when his reading of the poem "The Father's Body" to a local women's group was construed as obscene. He took a position as an advertising copywriter and executive for the McCann-Erickson agency in New York, a position he later described as "selling his soul to the devil in the daytime and buying it back at night." Dickey worked in the advertising business until 1961, when he received a Guggenheim Fellowship that allowed him to move his family to Italy and devote his time to writing poetry.