Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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September 30, 2019

Why We Should Call it Art

By Aatif Rashid

There’s a tendency in the writing community to be suspicious of the word “art.” For a lot of people, the word is pretentious, a grandiose attempt to elevate our writing […]

April 20, 2019

On Slow Reading, Considering, and Consuming

By Jeff Alessandrelli

It’s long been understood that going to an art museum doesn’t necessarily mean one desires to look at art, at least not for prolonged, potentially edifying periods. Articles like Artnet’s […]

April 13, 2019

Review: Rabindranath Tagore, Selected Poems

By Amit Majmudar

Tagore, Rabindranath. Selected Poems. Translated by William Radice. Penguin Modern Classics (India), 208 pages.   Some writers write different things the same way over and over again. All of Emily […]

November 8, 2017

Tabloid Art History Rewrites Artistic Cannon

By Caroline Hagood

Recent posts in Flavorwire and A.V. Club brought my attention to an intriguing Twitter account, Tabloid Art History, run by Elise Bell, Chloe Esslemont, and Mayanne Soret, which has actually […]

March 29, 2017

Confessions of a Collector

By Douglas Ray

I received my first painting as a gift from grandparents (art collectors themselves) when I was four. They had commissioned a Louisiana artist to paint a small oil on canvas […]

October 3, 2016

Contemporary Ekphrasis

By Jeff Alessandrelli

Last week at the Montana Book Festival the poet Michael Earl Craig and I conducted a workshop entitled “Contemporary Ekphrasis,” and for funsies I thought I’d post my “lecture” notes […]

January 31, 2016

Kanye West’s New Slave Daguerreotypes

By Brian Michael Murphy

Kanye West premiered his song and video “New Slaves” by projecting it on the exterior walls of 66 buildings throughout the world. The shots in the video have only two […]

June 17, 2014

Sugimoto’s Darkness

By Brian Michael Murphy

You’re unlikely to find a more beautiful book than Hiroshi Sugimoto, designed by Takaaki Matsumodo. The book is cloth-bound in shadow-blue, with a slight sheen, only a shallow stamp of […]