October 25, 2015
Life, Liberty, and the Pursuit of Irrelevance
With the American government sending drones overseas, with our military involved over the past decade in conflict after dirty conflict; with the largest incarcerated population in the world, and […]
December 16, 2014
Patterns of Poetic Revolution
One of the most famous lines in English poetry about poetry is Moore’s “I, too, dislike it.” The interesting thing is just how much the best poets, historically, have […]
June 28, 2013
What Makes Contemporary American Poetry So Good
One of the most wonderful things about being a writer in contemporary America—besides the unprecendented ease of access to books—is our multiplicity of traditions. In the past, in smaller, more homogenous […]
March 25, 2013
Why I Don’t Teach Poetry Writing
What are we teaching when we teach the writing of poetry? Much of what we call the “teaching” of poetry is actually the teaching of contemporary conventions governing poetry. […]
January 5, 2013
The Alternate Bard: On Shakespeare’s Narrative Poems
Shakespeare’s narrative poems, Venus and Adonis and The Rape of Lucrece, were dedicated to an aristocrat, and full of the conceits and set-piece sequences and strict stanzas that appealed to […]
May 13, 2012
The Reconquest of the Long Form
There are, by my count, only two things that can save a long poem in English. Heterogeneity (Eliot and Pound; and those polyphonic, formally quite various sustained dramatic poems of […]
April 23, 2012
The Two Unsurpassable Poems in the English Language
Every successful poem is unsurpassable in its own way. Even a brief rhyme, like— John Donne, Anne Donne, Undone. —cannot be improved upon, repeated, or replicated. It is a […]
February 25, 2012
Poetry, Prose, and Prosetry: Shakespeare’s Hybrid Vigor
Prose took over storytelling (both in narrative and dramatic form) beginning in the 17th century. The prose shift in full-scale narrative commences with Quijote, which is why critics have […]