July 25, 2018
“the little song pulsing”: An Interview with Oliver de la Paz
[Continued from “Scaffolding”] * When I read Oliver de la Paz’s poem “Diaspora Sonnet 25,” which the Academy of American Poets featured as its Poem-a-Day selection earlier this month, I […]
June 26, 2018
Scaffolding
[Continued from “Pros[onn]e[t]”] * Where the title of Nikki Wallschlaeger’s Crawlspace, published by Bloof Books in 2017, pointed the reader toward the collections’s subversive sonnet form as an enactment of both interiority […]
June 15, 2018
Pros[onn]e[t]
[Continued from “Crawlspace”] * Thinking about contemporary sonnets, shadow sonnets, American Sonnets, and so on and so[nnet] on, I’m fascinated both by the poems themselves and by what the poems […]
May 28, 2018
Age of Glass
[Continued from American Sonnets for My Past and Future Assassin] Oh, the delight, when, after thinking about American sonnets for some weeks here at the Kenyon Review blog, the Cleveland […]
March 28, 2018
American Sonnets (Part XVIII: From the French for…)
[Continued from: “American Sonnets (Part XVII: An American Sonnet By Any Other Name)”] I stepped out of America for a moment in mentioning Rimbaud – as David Lehman did – […]
March 24, 2018
American Sonnets (Part XVII: An American Sonnet by Any Other Name)
[Continued from “American Sonnets (Part XVI: ‘What’s up ahead / which is resistance’)”] In the “Brief Glossary of Forms and Other Terms” at the end of David Lehman’s Ecstatic Occasions, […]
February 16, 2018
American Sonnets (Part XV: Some Sonnets)
[Continued from “American Sonnets (Part XIV: Stein’s Sonnet)”] I’m going by memory and intuition here in tracing some kind of history of the formally subversive American sonnet – I hope […]
January 19, 2018
American Sonnets (Part XI: Insistence)
[Continued from “American Sonnets (Part X: Box, Box, Boxes, Boxes In)”] In addition to the overlapping concerns of form and content I began to consider in the previous post, Stein’s […]
January 16, 2018
American Sonnets (Part X: Box, Box, Boxes, Boxes In)
[Continued from “American Sonnets (Part IX: Concept and Impact)”] I’ve been pulled in two directions in my reading and thinking in the past few weeks. I’ve been writing posts inspired […]
December 23, 2017
American Sonnets (Part IX: Concept and Impact)
[Continued from “American Sonnets (Part VIII: A Tale of Two Sonnets)”] In my last post, I returned to sonnets (traditional and conceptual) in Terrance Hayes’s first two books of poems, Muscular […]
December 20, 2017
American Sonnets (Part VIII: A Tale of Two Sonnets)
[Continued from “American Sonnets (Part VII: Close-up On Coleman)”] The first published sonnet by Terrance Hayes I can find is in his debut collection Muscular Music, originally published by Tia Chucha […]
December 14, 2017
American Sonnets (Part VII: Close-up on Coleman)
[Continued from “American Sonnets (Part VI: Hayes In His Own Words)”] Wanda Coleman’s 100 American Sonnets span several collections of her poems, a series that reads as both a cohesive […]