2020 programming has been cancelled
Please email firstname.lastname@example.org or call 740-427-5196.
Due to the Covid-19 pandemic and the State of Ohio’s accompanying restrictions, Kenyon College has made the difficult decision to close campus through July 31st, so we must cancel Kenyon Review’s residential 2020 Writers Workshops. These are unprecedented times, and we regret we will not see you this summer. We trust you’ll understand this decision as your health and safety are of the utmost concern to us.
Angie Cruz holds a BA in English and MFA in Creative Writing from New York University. She is an Assistant Professor of English and the author of two novels, Soledad (Simon & Schuster 2001), which she has adapted into a screenplay, and Let It Rain Coffee (S & S 2005), which was also a finalist in 2007 for the International IMPAC Dublin Literary Award. She has published short fiction and essays in magazines and journals, including Callaloo, the New York Times, Kweli, Phatitude, and South Central Review. She has been teaching creative writing for over fifteen years in academic and nontraditional settings such as Texas A&M University, NYU, Metropolitan Museum of Art, and to middle schoolers for the National Book Foundation’s Bookup in Texas where she also serves on the advisory board. She has received numerous grants for her teaching and writing, including the Barbara Deming Award, New York Foundation of the Arts Fellowship, Camargo Fellowship, Van Lier Literary Fellowship, and NALAC Fund for the Arts Fellowship. She has also been awarded residencies: Yaddo, The Macdowell Colony, Fundacion Valparaiso, La Napoule Foundation and The Millay Colony. She is the editor of Aster(ix), a literary/arts journal. Currently she is finishing her third novel, In Search of Caridad.
Caitlin Horrocks is author of the novel The Vexations (Little, Brown, 2019). Her story collection This Is Not Your City was a New York Times Book Review Editor’s Choice and a Barnes and Noble Discover Great New Writers selection. Another story collection, Life Among the Terranauts, is forthcoming from Little, Brown in 2021. Her stories and essays appear in the New Yorker, The Best American Short Stories, The PEN/O. Henry Prize Stories, The Pushcart Prize, Paris Review, Tin House, and One Story, as well as other journals and anthologies. Her awards include the Plimpton Prize and fellowships to the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference and the MacDowell Colony. She is on the advisory board of the Kenyon Review, where she recently served as fiction editor. She teaches at Grand Valley State University and in the MFA Program for Writers at Warren Wilson College. She lives in Grand Rapids, Michigan, with her family.
E.J. Levy’s debut story collection, Love, In Theory, won the 2012 Flannery O’Connor Award, was named a 2013 Best Book of the Year by Kirkus, received the 2014 Great Lakes Colleges Award, and was released in French in 2015. Her anthology, Tasting Life Twice: Literary Lesbian Fiction by New American Writers, won a Lambda Literary Award. Her work has appeared in the Paris Review, The Best American Essays, the Kenyon Review, and the New York Times, and won a Pushcart Prize. She is at work on a novel set in Cape Town.
Karin Lin-Greenberg’s story collection, Faulty Predictions, won the Flannery O’Connor award in short fiction. Her stories have appeared in literary journals including Antioch Review, Boulevard, Colorado Review, Crazyhorse, Epoch, Southern Review, and Story, and she was a finalist for the Chicago Tribune’s 2018 Nelson Algren Award. She has been awarded fellowships from the Wesleyan Writers Conference, the Saltonstall Foundation for the Arts, the Longleaf Writers Conference, and the MacDowell Colony, and she was a Tennessee Williams Scholar at the Sewanee Writers’ Conference. She has taught creative writing at Missouri State University, the College of Wooster, and Appalachian State University. Currently, she lives in upstate New York and is an associate professor in the English Department at Siena College.
Ira Sukrungruang is the author of the memoirs Southside Buddhist and Talk Thai: The Adventures of Buddhist Boy, the short story collection The Melting Season, and the poetry collection In Thailand It Is Night. He is the coeditor of two anthologies on the topic of obesity: What Are You Looking At? The First Fat Fiction Anthology and Scoot Over, Skinny: The Fat Nonfiction Anthology. He is the recipient of the 2015 American Book Award, New York Foundation for the Arts Fellowship in Nonfiction Literature, an Arts and Letters Fellowship, and the Emerging Writer Fellowship. His work has appeared in many literary journals, including Post Road, The Sun, and Creative Nonfiction. He is one of the founding editors of Sweet: A Literary Confection, and taught in the MFA program at University of South Florida.
A native of Mississippi, Nick White is the author of the novel How to Survive a Summer(Blue Rider/Penguin, 2017). He is an Assistant Professor of English at The Ohio State University’s MFA Program in Creative Writing. His short stories, poems, and essays have appeared in a variety of places, including the Kenyon Review, Guernica, Hopkins Review, Indiana Review, the Literary Review, Lit Hub, and elsewhere. His short story collection, Sweet & Low, appeared in June, 2018 (Blue Rider/Penguin).
Nancy Zafris has taught at the Kenyon Review workshop for many years. Her latest book, The Home Jar, a collection of short stories, was published in 2013. She has also written The People I Know, winner of the Flannery O’Connor award for short fiction and the Ohioana Library prize, as well as the novels The Metal Shredders and Lucky Strike. She has received two National Endowment for the Arts grants and has taught in the Czech Republic as a Fulbright fellow. She is the former fiction editor of the Kenyon Reviewand former series editor of the Flannery O’Connor award for short fiction.
Fiction writers have flocked for more than twenty years to the KR Workshops to work, to write, to generate a momentum that will carry them into the future. This isn’t about bringing stories or excerpts of work already securely set down. It’s about the magical combination of shared effort and inspiration that leads to individual achievement.
Workshops meet daily. The small groups of writers and inspiring teachers wrestle with shared readings to understand how a story works rather than what it means. What options do writers have in the way of narrative, of exposition, of point of view? It’s a full-on engagement with the art of fiction.
And more: every participant is challenged by literary prompts and exercises to generate a new work of fiction every day! Writing happens around the clock. Discussions abound in the beautiful dining hall or under soaring trees. Participants hold private conferences both with their instructors, with Peter Taylor Fellows and with one another. Stories appear that are shared first within the workshop and then with the larger community of writers. Sparks fly.
Each class is limited to 12 participants. Admissions decisions are made on a rolling basis, and we make every effort to notify applicants within four weeks of application. The application consists of the online application form, a resume, and a writing sample. The writing sample should be one short story or an excerpt from a longer work. Based on your application, you will be assigned one of the following instructors: Caitlin Horrocks or Angie Cruz in session I or E.J. Levy, Karin Lin-Greenberg, Ira Sukrungruang, Nick White, or Nancy Zafris in session II.
“I learned more about the CRAFT of writing in one week than in years of attending workshops.”
“I’m going home with months of projects to work on that I’m excited about. I experimented with writing way outside my comfort zone and feel that I grew as a writer this week.”
“I really benefited from the intensity of generating new material every day. This experience is so different—and so much more valuable than most workshops.”
“The caliber of the participants and instructors was extraordinary. I received excellent feedback, and everyone encouraged each other in supportive and productive ways.”
“I deeply appreciated the opportunity to generate new work & get feedback while it is in nascent form. I was struck by the high level of skill & interest in the participants as well as the knowledge & generosity of feedback from my workshop leader.”
Select a topic for more information.
How is the workshop structured?
Participants attend one 3-hour workshop session each morning. Though the pace and content of these workshops varies, they will involve discussion of assigned reading, sharing individual writing, workshopping each other’s writing, and writing in response to prompts.
How many people are in each workshop?
Each class is limited to 12 participants.
Will I have a chance to write much while I am there?
Yes. You will write a lot, and you will write daily. The Kenyon Review Writers Workshops are unique in that they are generative in nature. Other than the writing sample submitted with the application, participants do not bring previous writing or current projects to workshop. This is a week to work. By the time the week is over, participants, with a number of new pieces well on their way to completion, leave the workshop with a clearer, more self-directed sense of what they need and want to continue working on in their writing.
Is course credit available for participation in the Kenyon Review Writers Workshops?
Yes. Satisfactory completion of the writers workshops will result in a .25 credit that can go toward one’s graduate work or professional development. At the end of the week, participants who would like to receive this credit will complete a credit form that will remain on file with the college.
Who teaches the workshops?
Our instructors are talented writers and teachers from around the country. Many of our instructors have been published in the Kenyon Review. Our instructors have advanced degrees in creative writing, are well-versed in the publishing world, and most teach college during the academic year. We strive for a balance of instructors who are new to our writing workshops and instructors who have been teaching in our workshops for several years. Together, they are a strong team with a deep understanding of the curriculum and philosophy of the Kenyon Review Writers Workshops. Click on the photos above to read more about individual instructors.
What kind of writers enroll in the workshops?
Our participants are a diverse group, representing a wide range of academic and personal interests. Some are experienced writers who are hoping to expand their range and their knowledge of technique. Others relatively new to writing might be seeking an opportunity to receive feedback and instruction on craft. Overall, the participant who will benefit most from the workshop is one who likes to work with other people and who isn’t looking for a traditional approach to writing and learning. Being open to experimenting with new approaches, willing to be playful and take some risks as a learner, being interested in the process of writing more than final goals—these qualities characterize the typical participant in the Kenyon Review Writers Workshops.
Who can apply for the Kenyon Review Writers Workshops?
Anyone 18 years of age or older is eligible to apply.
I’m not a U.S. Citizen. Can I still apply?
Yes. We welcome international applications. If you have specific questions about visa requirements for your country, please contact us.
I attended the Kenyon Review Writers Workshops in the past. Can I apply again this year?
Yes. You will need to apply to the workshop again, using the online application. If accepted, you will receive a $250 returnee discount.
When can I apply?
Applications open on November 4th. Kenyon Review programs are selective, and all applications are reviewed by committee. We make every attempt to let applicants know our admission decision within four weeks of completing the application. Admission is made on a rolling basis, so writers should apply early.
How do I apply?
You will need to create a free Submittable account in order to apply, which you can do on our application page. If you already have a Submittable account, please sign in using your existing account. Be sure to add submittable.com to your address book and/or check your spam folders for email confirmations and notifications that we will send via Submittable.
To complete the online application, you must submit an online application form and a writing sample that showcases your best writing. If you are signing up for a poetry workshop, submit 3 to 4 poems. If you are signing up for fiction or nonfiction workshops, we request between 5-20 pages of prose writing.
How do I know that you received my application?
When you have submitted your application, you should receive an email notification at the address you entered when you signed up for a Submittable account. Be sure to whitelist submittable.com or check your spam folder to ensure that you receive notifications from Submittable. You can also log back in to your Submittable account to check the status of your application at any time. If you have any problems or questions, please contact us at email@example.com, or 740-427-5196.
How are applicants chosen for the Kenyon Review Writers Workshops?
In evaluating applications, the writers workshop selection committee pays particular attention to the writing sample. We are looking for participants who show real talent and passion for writing as well as participants who will thrive in both the workshop and residential setting. We strive to admit a diverse group of people with a wide range of writing styles and personal interests. We are selective in our acceptance, but if you are not accepted this year, we encourage you to reapply.
If accepted, can I defer my admission to next summer?
Yes. If you are accepted and pay your $500 non-refundable deposit but find you are unable to attend, we will honor your acceptance for one year, but you will have to resubmit the application form.
If I am put on the waitlist, when will I find out whether a spot has opened up?
We seek to contact waitlisted applicants no later than April 30th. But, as our admissions are rolling, we may also contact waitlisted applicants in May if spots open up last minute.
If I am not accepted, can I apply again?
Absolutely. We encourage this.
How much do the writers workshops cost?
The cost of these workshops is $2,295, which covers tuition, housing in a dorm room single, and daily breakfast and dinner. Travel expenses are the responsibility of the participant. Returning participants receive a $250 discount. Apartment housing options are available for a supplement of $300. Participants arranging independent housing for themselves receive a $150 discount.
If you are accepted to participate in one of these workshops, you will be asked to complete an enrollment form and return it within two weeks of your acceptance with a nonrefundable deposit of $500. The balance of your tuition is due on May 1, 2020.
Is financial aid available?
We have limited funds to offer toward partial scholarships for adult writers workshop participants who demonstrate financial need and have published in reputable literary journals (be sure to include publications in uploaded resume). All scholarships are granted on the basis of both merit and need. We especially encourage writers to apply who belong to underrepresented groups or underserved populations.
If you would like to apply for a partial scholarship, please fill out the scholarship section of the application. To be considered for a scholarship you must submit your workshop application by January 15, 2020. Scholarship recipients will be notified by mid to late February 2020.
How do I pay?
You may pay your non-refundable deposit, tuition balance, housing supplements, and shuttle fees at our online store. We prefer online payments, but you may also pay by check (payable to “Kenyon Review” and mailed to Kenyon Review Writers Workshop, 102 W. Wiggin St. Gambier, OH 43022) or by calling 740-427-5208.
Can I cancel my enrollment?
If you cancel your enrollment before May 15, you will forfeit your initial deposit. If you cancel after May 15, we will keep the initial deposit and an additional $500 cancellation fee, but return the remaining balance paid. There will be no refund of tuition after the arrival date of the workshop and no refund in the event of early departure.
What is the social and cultural life of the program like?
There is a strong social dimension to the workshop, both in and out of class. Participants regularly share their work-in-progress. The focus is on working together as a writing and learning community. This sense of community is strengthened outside of class through the recreational activities, local eating/drinking establishments, access to the Kenyon Athletic Center, and evening readings.
What is the week’s social and cultural life like outside of the workshop classroom?
Classes end at noon each day, leaving ample time for writing, reading and communing. In the afternoon, participants often meet with their instructors, workout at the KAC, gather at the coffee shop, hike the nearby trails, attend a publishing or craft talk, or take a quick nap. Each evening includes a formal workshop reading in which workshop participants share a short segment of a work in progress. Often, after these readings, participants gather at the Village Inn to write or socialize.
What are the dining options
Breakfast and dinner daily, included in the cost of the workshops, are served in Kenyon’s historic Peirce Hall. Vegetarian options are always available and we make every attempt to accommodate allergies and dietary restrictions. Lunch is on your own—offering the opportunity to continue small writing discussions following the morning workshop. Local Gambier eateries include the Village Inn, the Kenyon Inn, Wiggin Street Coffee, Chilitos Fresh Mex, and the full-service Village Market (a small grocery store and sandwich shop).
What are the housing options?
You’ll stay in air-conditioned furnished housing on Kenyon’s stunning campus. Housing options and prices vary (see below). Please let us know if you need ground-floor accommodation due to health issues. We make every effort to meet your needs. Several laundry facilities are available on campus.
The workshop fee for all workshops includes the cost of a single private room and shared bathroom in Mather Residence Hall.
Apartment-style housing is available for a supplemental fee: The North Campus Apartments are Kenyon’s newest housing, with each apartment configured as a three-story townhouse. Each townhouse apartment features a first-floor shared common room and full kitchen, three or four single private bedrooms on the second and third floors, plus two shared bathrooms. (Add $300.00 to the base price of the workshop.)
If you prefer a hotel room or bed-and-breakfast, please let us know. You will be responsible for booking your own housing and will receive a discount of $150 on your workshop fee. Here are some local housing options on campus:
How secure and safe is the dorm and the campus?
Officers for Kenyon College’s Campus Safety Office are on duty 24 hours a day, and regularly patrol campus day and night. The campus itself is small, well-lit, and very safe.
What is the writers workshop community contract?
As a participant of the Kenyon Review Writers Workshops, you are part of a writing community where everyone–participants, instructors, college employees, and community members–is treated with common decency, tolerance, respect and consideration. Anyone whose behavior does not align with this shared value will be asked to leave the program.
How do I get to Gambier?
Gambier is located about 45 miles northeast of Columbus, Ohio. The Kenyon College website has a map with driving directions to Gambier. The closest airport is John Glenn International Airport (CMH) and is about an hour’s drive from Gambier. There is no public transportation from the airport to Gambier, so we provide a shuttle service. There is a $70 round-trip ($35 one-way) shuttle fee for this service.
When should I arrive?
Please plan to arrive on campus between 12:00-2:00pm on Sunday for registration and orientation. If you are flying, keep in mind that the Columbus airport is about an hour’s drive from campus. Arrivals by plane should be scheduled no later than 2:00pm when possible.
When should I depart?
The last workshop occurs on Saturday morning. If you are departing from the Columbus airport, please schedule your flight for sometime after 12pm.
Click on photos to enlarge.