Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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December 4, 2017

Better Things and Silenced Women

By Caroline Hagood

The second season of Better Things recently came to a close and, although it did so memorably with a multi-daughter dance performance, I want to focus on the distinctive second-to-last […]

November 28, 2017

Why I Love “Low” Art

By Caroline Hagood

Where to begin with why I have always valued entertainment considered (by snobs, let’s be honest) to be “lowbrow”? For one thing, this preference led me to my dissertation. I […]

November 20, 2017

How To Be a Writer in 25 Easy Steps

By Caroline Hagood

1) Use “journal” as a verb. 2) Invest in a good fedora. 3) Loudly and frequently recommend that everyone you meet “journal.” 4) Self-publish and make everyone come to at […]

November 8, 2017

Tabloid Art History Rewrites Artistic Cannon

By Caroline Hagood

Recent posts in Flavorwire and A.V. Club brought my attention to an intriguing Twitter account, Tabloid Art History, run by Elise Bell, Chloe Esslemont, and Mayanne Soret, which has actually […]

November 6, 2017

Motherhood as a Form of Haunting

By Caroline Hagood

Every Halloween I like to ponder how we’re all haunted houses, attended always by the ghosts of future and past, misunderstood monsters, mad women in our own attics. As a […]

October 18, 2017

Me Too and the Trauma Narrative

By Caroline Hagood

I’ve spent the past days watching two little words that tell-and-don’t-tell so much wander, liberated at last, largely comma-free, through the raw expanse of shared trauma that is my Facebook-feed. […]

October 7, 2017

Pop Quiz: What Kind of Novel Are You?

By Caroline Hagood

  1. In your favorite novel, the main character’s name is: A) Arabella Featherstone B) Luther Impossibilius C) Jake Amnesty D) The same as the author’s   2. In your favorite novel, […]

September 20, 2017

Film as Poetry’s Modern Sister Art

By Caroline Hagood

  People often ask me why I think poetry and film go together like peanut butter and jelly, and I say, “Well, it’s kind of like that Videodrome interview,” and they […]