Department KR: A Section of Briefer Comment
Autumn 1965
Kurosawa’s Humanism
It is fourteen years now since Akira Kurosawa’s masterpiece Rashomon burst on the world, evoking reactions ranging from waspish—”slow, complacent, Louvre-conscious, waiting-for-prizes” (Manny Farber in The Nation)—to ecstatic—”It is a […]