Nonfiction
Summer 1956
Progression of Theme in Eliot’s Modern Plays¹
As a result of Eliot’s widened popularity and heightened public repute in recent times, accompanied as they are by a persistent undercurrent of the antagonism he used to provoke, we […]
Nonfiction
Summer 1951
Coherence of Theme in Donne’s Poetry¹
Hardy has a poem, “The Self-Unseeing,” in which he records a scene that appears in retrospect as one of the moments of value in life but at the time not […]