Nonfiction
Spring 1952
Dante’s Innocence and Luck
PART I When we meditate upon the unique grandeur of the Commedia, its cosmic scope, and the joint superiority in it of the inner melody, the action, the theme and […]
Nonfiction
Spring 1942
Poetry’s Dark Night¹
The very career of the word “poetry” seems to me highly instructive. Only at a comparatively recent time has this word come to designate the poetry: previously it signified the […]