Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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July 1, 1943

The Discourse of Music

By George Hemphill

It is at a late, almost fatal, stage of sophistication that men begin writing critically of their arts. Primitive man may be hardly less “creative” than he is practical, but […]

July 1, 1943

The Structure of Metaphor

By Ruth Herschberger

Mr. Ransom in an editorial comment entitled “The Inorganic Muses” makes the following observation concerning metaphor: It has proved impossible, I think, to insist that metaphor is a mere expository […]

July 1, 1943

Art Letter

May 1, 1943 Gerard De Nerval’s “épanchement du songe dans la vie réelle” is an apt comment on the current season, notable as it has been for the overflow of […]

April 1, 1943

Eliot’s Quartets

By F. O. Matthiessen

“. . . a white light still and moving.” In the course of an artist’s development certain phases may detach themselves and challenge comprehension as completed wholes. Eliot has rounded […]

April 1, 1943

Pure and Impure Poetry

By Robert Penn Warren

Critics are rarely faithful to their labels and their special strategies. Usually the critic will confess that no one strategy—the psychological, the moralistic, the formalistic, the historical—or combination of strategies, […]

April 1, 1943

Thought and Sensibility

By Martin Lebowitz

The fact that sensibility is a function of intelligence has important implications. It is popularly, and not alone popularly, believed that thought and feeling are mutually opposed, that we employ […]

April 1, 1943

François Mauriac

By Wallace Fowlie

François Mauriac belongs to the generation of French writers born between two other generations: the first, including Claudel, Gide, Proust, and Valéry, all of whom were born about 1870; and […]