for S. S.
"Don't say goodbye.
Have you heard the one about
the …?"—a veteran of World War II, he's broke,
a retired bank teller who makes up stories
about his days as Chair
of the Board. He's crazy. Yesterday he parked
on the grass and waved a pistol at children in the park.
Now, squeaky clean, skin smooth as a baby's,
he lies on his back in fluorescent light—dizzy, the visitors' chairs
flashing by like vertigo, his heart broken.
Afraid of heights, he won't look out the seventh-story
window. He hates his shell-shocked self, and its bouts
of insanity. He talks about
old days in Boston: geese he fed in the park,
and brunch with his wife at the Ritz. No one knows the real story.
Maybe a stranger walking by
saw it through a window: a woman's bruised face, broken
dishes on the floor, overturned chairs …
Sometimes, it's as if a wild angel who wanted to throw chairs
or kick down doors in a past life, enters his body, causing it to lurch about
the room, breaking
things: a vase of poppies by
the bed. He swings his crutch as if it were a baseball bat in the park.
As if this were someone else's story.
But it's not. It's his story.
Each night, in a tranquilized haze, he falls asleep in his chair,
and dreams about
Okinawa: the aircraft carrier Bunker Hill—crewmen killed by
smoke, molten metal dripping from the ceiling, and gasoline—the parked
planes blazing on the deck above, silver bodies shattered, wings broken.
Or were those the silver bodies and broken
wings of angels? He wakes and can't remember the story.
Something about a statue in the park:
an alabaster angel, its chipped wings hovering over wrought-iron chairs
chained to cement. After the war, he thought too deeply about
himself as he sat there—a bald man, wearing a gray sweater. By
midnight, he was no one. Or part of a story about a man
who sat all night on a chair in the park, his thoughts
unbroken by dreams, strangers, angels, or light.
