Growing out of Muriel Rukeyser’s experience during the Spanish Civil War, the elegy evokes both hope and skepticism about dreaming in a time of defeat. The title alludes to nineteenth-century customs practiced by starving Native Americans, who found hope in ecstatic dancing, anticipating reunions with their dead—customs which, as Rukeyser noted, “have connections with expression in the overrun countries of our own time.” “The Dream-singing Elegy” was later republished as the seventh in a cycle of ten poems (Elegies, 1949). A quotation from it appears in Doctor Atomic, John Adams’ 2005 opera about the Manhattan Project, sung by the skeptical Kitty Oppenheimer.
Book Reviews
Winter 1941
Lorca in English
Blood Wedding a Tragedy by F. Garcia Lorca. Translated by Gilbert Neiman. New Directions. 50 cents Poems by F. Garcia Lorca. Translated by Stephen Spender and J. L. Gili. Selection […]
Poetry
Winter 1965
The Conjugation of the Paramecium
This has nothing to do with propagating The species is continued as so many are (among the smaller creatures) by fission (and this species is very small next in order […]
Poetry
Spring 1947
Eyes of Night-Time
On the roads at night I saw the glitter of eyes: my dark around me let shine one ray; that black allowed their eyes: spangles in the cat’s, air in […]
New Verse by Five Poets
Winter 1944
The Dream-Singing Elegy¹
Darkness, giving us dream's black unity. Images in procession start to flow among the river-currents down the years of judgment and past the cities to another world. There are flat […]
Book Reviews
Summer 1943
Nearer to the Well-Spring
Sonnets to Orpheus by Rainer Maria Rilke. Translated by M. D. Herter Norton. Norton. $2.50. These latter (the Duino Elegies) were begun in 1912 (at Duino), continued—fragmentarily—in Spain and Paris […]
Poetry
Autumn 1939
A Turning Wind
Knowing the shape of the country. Knowing the midway travels of migrant fanatics, living that life, up with the dawn andmoving as long as the light lasts, and when the sun […]
The Dream-singing Elegy
From the Kenyon Review, Winter 1944, Vol. VI, No. 1 Darkness giving us dream’s black unity. Images in procession start to flow among the river-currents down the years of judgment […]
