Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

Read

Winter 1944 • Vol. VI No. 1 • New Verse by Five Poets |

The Dream-Singing Elegy¹

Darkness, giving us dream's black unity. 
Images in procession start to flow
among the river-currents down the years of judgment
and past the cities to another world.

There are flat places. After the waterfall
arched like the torso of love, after the voice
singing behind the waterfall, after the water
lying like a lover on the heart,
there is defeat.

And moving through our spirit in the night
memories of these places.
Not ritual, not nostalgia, but our cries,
the axe at the heart, continual rebirth,
the crying of our raw desire,
young. O many-memoried America!

★

Already have an account? Log in

Join KR for even more to read.

Sign up for a free account and read any five pieces a month.
Sign Up and Read for Free



Or become a subscriber today and get complete, immediate access to our digital archives at every subscription level.
Kenyon Review logo
Growing out of Muriel Rukeyser’s experience during the Spanish Civil War, the elegy evokes both hope and skepticism about dreaming in a time of defeat. The title alludes to nineteenth-century customs practiced by starving Native Americans, who found hope in ecstatic dancing, anticipating reunions with their dead—customs which, as Rukeyser noted, “have connections with expression in the overrun countries of our own time.” “The Dream-singing Elegy” was later republished as the seventh in a cycle of ten poems (Elegies, 1949). A quotation from it appears in Doctor Atomic, John Adams’ 2005 opera about the Manhattan Project, sung by the skeptical Kitty Oppenheimer.

Read More

Upcoming
Workshops

Subscribe

Your free registration with The Kenyon Review includes access to exclusive content, early access to program registration, and more.

Donate

With your support, we’ll continue 
to cultivate talent and publish extraordinary literature from diverse voices around the world.