The story is: he peed his seat in English 101, and Dash the security guy was a half hour late so by the time the chair was wheeled down the hallway, past the sumptuous regalia of stars on a poster for the Astronomy Department, and Marine Biology's scroll of squiddy life-forms, to whatever sanctum of fumigatory rehabilitation the college reserved for its chairs, the student in question had already been expelled … not for the loosening of his bladder, of course, but when he was questioned about this by the Dean of Squeamish Interrogation, he'd offered up immediately that he'd "been drinking overly," and so was in admitted violation of the policy on alcohol consumption and, although the chair returned in a day, the student never did. To understand this story really, though, we need to see the gyroscope of flies above the day-old lamb and goat shank in the market in a desert city of lovely rugs and burnt-out cars and millennial tent-and-camel music and just-this-morning's bombs. Alouf has tended his family's market stall for thirty years, as does his pious obedient daughter Aliki, and, every now and then, when it suits her tempestuous moods, his slut-of-a-Westernized daughter Renee, and they will commandeer this blanket arrayed with day-old meat through boredom that began when Allah first created the desert wastes, to—now, for example—the jittery streets in response to the raids in response to the fiery hellflower in the air above the bombed American military compound. That's one story. In the story underneath, the gyroscope of flies and the hellflower share a narrative momentum that begins with a hidden incendiary device in a "gift" of goat shank, and somebody's daughter hanging around the soldiers on leave as they linger about the baubleware of the market. When, and how, and even which one of the daughters … all of that's smoke in the wind. It turns out he was mildly retarded, part of why his urination couldn't be controlled, and so he speedily offered up that drunkenness as the offending cause: it made him "one of the guys," it reinvented him, in his mind, with a cool excuse, and not his old congenital embarrassment. And yet, by the time his mother picks him up, the sour smell of defeat and humiliation is more rank than the seat of his pants; and then they vanish … smoke in the wind. Now through his window, the Dean of Etc. is idly observing that car drive off as he waits for his wife—as usual, late. Of course: she's happily been aroused and rumpled in the utilities room with Dash. That ancient story. And sometimes she's simply wandered the halls alone, a little lost—both in and to herself. When she studies the poster of stars and void and solar explosions frozen by Hubble into light-years chalices and roses, mesmerized by this … she suddenly thinks the story is with the fish —the weirdly fringed and hinged and chandelier-bodied lives of marine biology. And when she studies the fish, is deep in their deep … then the story is with the stars, the gassy helices and butterflies of radiance, that take her out, and further out, beyond the idea of "person," and beyond a "wind," or "air" itself, or any story we make of them.
