Snail-scrawl in tidal mud. The drift of clouds as a compass. A network of repetitions, The chance encounter prepared for. Pale, luminous: a vast distance. The moment comes around At last: a votive offering, A spill of house lights on the flooded marsh. As I align the past with the present, The foreground presses close. The usual intervention of weather. Shadows skew against the hour. Faint fragments, as if web silk, aloft: Ghostly, without weight. I Renegotiate the diaphanous tangle. With only a wooden match As a unit of measure, I build a scale model. Night, like an underpainting, bleeds through. I proceed as if a title might Allow at last the amalgam to set. The always of a remembered detail. The uneven terrain not yet worn even. Not the stones, driftwood, or shell heap, But the air, the breathable salt air, through which I observe each as it levitates. X equals the unknown, which is to say The cussed, the otherwise irretrievable, A negative space of clouds and mist. What is memory but remote access? Out of fog a depth of fog coalesces. The event occurs, occurred, will occur In a tense form available only in dream. An island endures in the distance, A beach of disheveled cobbles, as blue As an anomaly of fire, as glacial melt. The poem is not a representation, But an analogous experience. Is it a hoax if no one is deceived? This is yet another iteration, A patina of marks and smears. I had hoped for a fragile transience, For the ordinary’s semblance of mystery. What is a genre if not an interrogation Of genre? How do I discern presence When I reside in past light and lost time? The sky is without depth or surface. No need to graph a range of nuances As the tide pulls back and the past flattens. One season lapses into the next, Into some uncharted calm or calamity. The longing is not for a paradise, but For its eventual, inevitable loss. On a current’s bewildered grammar Fractured ice sheets refreeze. Cloudlike, Distant lands recede as I draw near. For more than a second, a ghost adheres To sight, like a breath’s aftereffect on glass: No more bereft of meaning when it’s gone. I shelter in place. Day by day by day I invent a place in which to shelter.
