Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

Read

Summer 1964 • Vol. XXVI No. 3 • Book Reviews |

King Henry the Eighth and Much Ado about Nothing

King Henry the Eighth and Much Ado About Nothing recorded by the Marlowe Dramatic Society and Professional Players. King Henry, $18.67 (Mono), $22.42 (Stereo); Much Ado, $14.00 (M), $16.82 (S).

Once it is granted Shakespeare must be seen to be fully believed, and that anything short of actual stage performance is less than the real thing, one can get down to the business of assessing recorded productions of the plays. And yet not quite; for at least in the instance of a work like Henry VIII, the impediments that the play itself offers must qualify any attempt to present it on records. With an acknowledged masterpiece or even a well-made play, most of the critic’s attention can be devoted to what a particular interpretation did for or to the text. But with Henry VIII there are so many problems that some time must be spent showing why allowances should be made for the actors, who—and this seems to me a symptom of the play’s real weakness as drama—are tempted constantly to staginess.

Already have an account? Log in

Join KR for even more to read.

Sign up for a free account and read any five pieces a month.
Sign Up and Read for Free



Or become a subscriber today and get complete, immediate access to our digital archives at every subscription level.

Read More

To Go In

By Leonard E. Nathan

Here are three hundred thousand doors, Not counting the iron grates of cells, The brassy portals of institutions, Or the red upholstered gates of bars. You want so much to […]

Upcoming
Workshops

Subscribe

Your free registration with The Kenyon Review includes access to exclusive content, early access to program registration, and more.

Donate

With your support, we’ll continue 
to cultivate talent and publish extraordinary literature from diverse voices around the world.