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Mar/Apr 2020 • Vol. XLII No. 2 Poetry |

Ode to Emptiness

There comes a time when you stop hoping
for love. What then to live for?

There are substitutes: the lunch
on your lap, the power lines overhead,

the heritage buildings lining
your neighborhood — 

razed yesterday, absent today, raised tomorrow
from the dead. These black-bean

noodles never nourished
you, only gave you that impression,

but perhaps their imprint was enough.
What sweetness touches you now,

you must thank if you notice. Trash
can be delicious, tart as limes. There is mercy

in the way milk sours. Convenience
in the way we throw our spoils

away. Because some emotions are made
of plastic, junking up inside. Your debris

becomes your whole composition — 
your oeuvre of sorrow, it kills entire whales,

it litters your whole ocean — a super-isle
of flotsam, never to decompose.

Every night you beg it to die,
and every morning your wish is granted.

Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award and a Publishers Weekly Top Ten Pick of Fall 2014. Her work has been anthologized in Best American Poetry 2013 and is forthcoming or published in Poetry, Black Warrior Review, Guernica, and Gulf Coast, among others. A Kundiman fellow, she holds a B.A. from Carnegie Mellon University and an M.F.A. from Cornell University, where she was a lecturer in creative writing and composition for three years. She currently lives in Brooklyn, NY and teaches in the Asian American Studies department at Hunter College.

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The first time I was touched, parts of me were seen: the nautilus, the teeth, the cavern of mouth, how a question marks the spine and then it is never […]

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