Now, in the scattering layers of early October, when the browning sun strings its staffs in the tart smoke, I cannot sing except as grackle or sprung radio: not the shush of ground water from my artesian home, fisting the shale for the clear leap, nor the hesitant leak of color from the deep-browed oak. Sometimes, still, a dream shakes this chemical meat that I have bonegathered, a clear, clerical lust. Sometimes I lay down all variety on the vanity and step barefaced into the gravity of a woman's whole, trembling attention, folding into better uses of our sad, beautiful presence. So I sang, and will again. Now her leafpile sweater opens its wings from moth air. Her skintan sparks and crackles as she stands on the corner, hugging the chill of her shoulders. The bus exhales beside her. This is poetry on the buses. It may be that knuckling the doors in cause of snail darter or the relocation of trees is worthy of this fitful passion. God, I had meant to stay upwind of these sour passions to be right, these politicos with the glaring third eye. What are the long oaken thoughts to which our hustings must seem cicada? The snail darter may have dived to glories we long heads will never know, watching these little scythes spin madly on our wrists. Wind up the short leash, master of the waterbowl and table scraps from which we conjure the rich table, steaming originally. Accept our barks and howls from the backyard, from the little chained houses you made for our conjecture of humanness. Sometimes, in this blowing season, in the surprise of water crackling, we rise up a little to look in through the windows and mirrors of our master's house. We strain to see the lights and hear the other music before the great oak shudders and casts away its faces and beliefs, before the grave snow takes all the colors. Wherever I walk, I leave behind me blurred footprints.
