Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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July/Aug 2020 • Vol. XLII No. 4 |

Temporary and Ongoing

The stories I selected for this issue are all told from the point of view of someone who has been displaced, silenced, or made to feel invisible. They are all also characters who, despite the challenges and circumstances they face, resist, fight, and dream. In “When They Came for Us,” Ahmed tells the story of Aafreen, who finds her world turned upside down in Assam and ends up in a detention center where the “nights weave into each other.” In Ferreras’s story, “You Must Be This Tall,” hot dogs mysteriously appear outside one’s door and fresh fish are being gutted to satiate the missing of home—Dominican Republic. In “Paradise Garden,” Mar’s character Tala is on the hunt for a cheap place to live and finds one among fortune-tellers and women who answer the door when the other knocks. In the story “By the River Cibuco” (featured on KROnline), Di Iorio tells the story of Tani, who must decide if she should heed her mother’s warning about the storm or run off with her lover. In Natera’s “Curandera,” we are swept into a world where community healers are preferred over hospitals and doctors. And in “Help Me Help You,” Poddar’s story takes us to Mumbai’s call centers, where customers call in to modify their flight reservations, reminding us that on the other end of those calls, those who “serve” us are working hard to keep their jobs and also have their own aspirations.

When I selected these stories, it was pre-corona. I selected them because they offered a way of seeing or being in the world that I had never quite read before. I was taken by the voices of the characters, the intimate look into worlds of characters who, before reading the stories, were lumped into an inconceivable number in some news article: numbers like 1.9 million people becoming stateless in Assam, India, and an estimated 2,975 people dying in Puerto Rico because of Hurricane Maria. Great storytellers remind us that each number is a person.

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Angie Cruz is a novelist and editor. Her novel Dominicana is the inaugural book pick for GMA Book Club and chosen as the 2019–20 Word Up Uptown Reads. It was shortlisted for the Women’s Prize for Fiction, longlisted for the Andrew Carnegie Medals for Excellence in Fiction, the Aspen Words Literary Prize, a RUSA Notable Book, and winner of the ALA/YALSA Alex Award in Fiction. The New York Times Book Review called it “lovely and compelling.” NBC News said, “Dominicana is a triumphant return for Cruz. . . . The journey of Ana Canción is one of the most evocative and empowering immigrant stories of our time.” It was named Most Anticipated/Best Book in 2019 by Time, Newsweek, People, Oprah Magazine, the Washington Post, the New York Times, and Esquire. Cruz is the author of two other novels, Soledad and Let It Rain Coffee, and the recipient of numerous fellowships and residencies, including the Lighthouse Fellowship, Siena Art Institute, and the CUNY Dominican Studies Institute Fellowship. She has published shorter works in the Paris Review, VQR, Callaloo, Gulf Coast, and other journals. She is the founder and editor in chief of the award-winning literary journal Aster(ix). She is an associate professor at the University of Pittsburgh where she teaches in the MFA program and splits her time between Pittsburgh, New York, and Turin.

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By Stanley Plumly

It isn’t so much the capture of snow falling and melting all at once in the background, streaking as if on a window, like little souls passing—not so much the […]

When They Came for Us

By Samia Ahmed

From my window, the men looked like burned-out candle wicks. Their faces smeared into each other under the orange glow of a streetlight. When the door of my apartment started […]

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