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July/Aug 2020 • Vol. XLII No. 4 • Poetry |

Epigram 6

I’m an old nautilus egg-case. I make a good toy,
or conversation-
piece, for Arsinoë, as I did
for Marianne,
who let me circulate. When there was wind
I rode that wind over the waves, as I still can,
and when that earnest deity
named Serenity
ruled the sea for a day, I did all the work of locomotion,
rowing with my many feet. That’s why
I’m sometimes called an Argonaut,
and why the name fits.

I make a very good toy, and it’s not
just because I shimmer under moonlight,
not just because I pretend to remove
grave cares,
persistent shame, scars, fears, regrets;
as Arsinoë knows, it’s generosity
that animates me. Each curve
and pocket in me can display
a gem, a stone, a petal, a lock of hair,
or some other token of friendship or love. I could
be kept in a drawer,
but learning to play
with me happily definitely,
eventually,
means learning to share.

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Stephanie Burt is professor of English at Harvard and the author of several books of poetry and literary criticism, most recently Don’t Read Poetry (Basic, 2019). These imitations of Callimachus come from her collection, After Callimachus, published by Princeton University Press this spring.

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