Beside the lumber recently cut, five men struggling up a muddy, snow-ridged road; and, five-stories-tall, in your peaked-roof apartment where warmth was common, I, after five years wondrous about returning, fearful a little, more than a little hopeful before the illimitable host of possibilities, I, anxious for revival, standing at your porthole window watching a latenoon sky sullen above your sea, the ships puffing along, peddlars, so that I cannot, do not care to pursue romantic thoughts of their cargoes, voyages, or possible great grief, I, a ravelled thread at the needle's eye, try hard, with disappointment, to think of you spun back, gathered into your imagery: this sky not yet beginning to ripen your excellent moon, these abstract boats adrift upon the mindless sea; for nothing happens, no north of thunder enhances my hearing, no lightning hallows my thought or brightens my conscience, not even this fruit, here in this bowl as it used to be promising incredible secrets, stirs its full lips to the words of love and acknowledgement we somehow always expected; not the books where you left them, dusty, close-mouthed as the breath we mixed, sometimes beat into a blow that suggested the person bending near of splendor; nor am I swept back to first seas breaking, or furious, exultant pain; only five nameless, unshaped men drag along a turning muddy road, five men for a moment flickering, then slipping— hardly anguish— through a narrow break in the grey fence just below; and they are gone. The new wood, raw, awkward, an eye- sore, waits, new wood, while your radio plays music careless as time, even as first flakes of snow begin to prick the sky- light we used to praise, especially in moonlit moments—a cathedral window, so we said—for our eyes raised. And I know that this, this ease, this acceptance as though nothing had happened, is what it should be
