"All things become thee, being thine," I think sometimes As I think of you. I think: "How many faults In thee have seemed a virtue!" While your taste is on my tongue The years return, blessings innumerable As the breaths that you have quickened, gild my flesh. Lie there in majesty! When, like Disraeli, I murmur That you are more like a mistress than a wife, More like an angel than a mistress; when, like Satan, I hiss in your ear some vile suggestion, Some delectable abomination, You smile at me indulgently: "Men, men!" You smile at mankind, recognizing in it The absurd occasion of your fall. For men—as your soap operas, as your Home Journals, As your hearts whisper—men are only children. And you believe them. Truly, you are children. Should I love you so dearly if you weren't? If I weren't? O morning star, Each morning my dull heart goes out to you And rises with the sun, but with the sun Sets not, but all the long night nests within your eyes. Men's share of grace, of all that can make bearable, Lovable almost, the apparition, Man, Has fallen to you. Erect, extraordinary As a polar bear on roller skates, he passes On into the Eternal … From your pedestal, you watch Admiringly, when you remember to. Let us form, as Freud has said, "a group of two." You are the best thing that this world can offer— He said so. Or I remember that he said so; If I am mistaken it's a Freudian error, An error nothing but a man would make. Women can't bear women. Cunningly engraved On many an old wife's dead heart is "Women, Beware women!" And yet it was a man Sick of too much sweetness—of a life Rich with a mother, wife, three daughters, a wife's sister, An abyss of analysands—who wrote: "I cannot Escape the notion (though I hesitate To give it expression) that for women The level of what is ethically normal Is different from what it is in men. Their superego"—he goes on without hesitation— "Is never so inexorable, so impersonal, So independent of its emotional Origins as we require it in a man." Did not the angel say to Abraham That he would spare the cities of the plain If there were found in them ten unjust women? —That is to say, merciful; that is to say, Extravagant; that is to say, unjust as judges Who look past judgment, always, to the eyes (Long-lashed, a scapegoat's, yearning sheepishly) Under the curly-yarned and finger-tickling locks Of that dear-wooled, inconsequential head. You save him and knit an afghan from his hair. And in the cold tomb, save for you, and afghanless, He leaves you to wage wars, build bridges, visit women Who like to run their fingers through his hair. He complains of you to them, describing you As "the great love of my life." What pains it took To win you, a mere woman!—"worst of all," He ends, "a woman who was not my type." But then, a woman never is a man's type. Possessed by that prehistoric unforgettable Other One, who never again is equalled By anyone, he searches for his ideal, The Good Whore who reminds him of his mother. The realities are too much one or the other, Too much like Mother or too bad … Too bad! He resigns himself to them—as "they are, after all, The best things that are offered in that line"; And should he not spare Ninevah, that city Wherein are more than sixscore thousand persons Who cannot tell their left hand from their right, But smile up hopefully at the policeman? Are you as mercenary as the surveys show? What a way to put it! Let us write instead That you are realists; or, as a realist might say, Naturalists. It's in man's nature—woman's nature To want the best, and to be careless how it comes. And what have we all to sell except ourselves? Poor medlar, no sooner ripe than rotten! You must be seized today, or stale tomorrow Into a wife, a mother, a homemaker, An Elector of the League of Women Voters. Simply by your persistence, you betray Yourselves and all that was yours, you momentary And starry instances; are falling, falling Into the sagging prison of your flesh, Residuary legatees of earth, grandmothers And legal guardians of the tribes of men. If all Being showered down on you in gold Would you not murmur, with averted breasts: "Not now"? When he looks upon your nakedness he is blinded. Your breasts and belly are one incandescence Like the belly of an idol: how can a man go in that fire And come out living? "The burnt child dreads the fire," He says later, warming his hands before the fire. Last—last of all—he says that there are three things sure: "That the Dog returns to his Vomit and the Sow returns to her Mire, And the burnt Fool's bandaged finger goes wabbling back to the Fire." Part of himself is shocked at part of himself As, beside the remnants of a horrible Steak, a little champagne, he confesses Candidly to you: "In the beginning There was a baby boy that loved its mother, There was a baby girl that loved its mother. The boy grew up and got to love a woman, The girl grew up and had to love a man. Because isn't that what's wrong with women? Men? Isn't that the reason you're the way you are? Why are you the way you are?" You say: "Because." When you float with me through the Tunnel of Love Or Chamber of Horrors—one of those concessions— And a great hand, dripping, daggered, reaches out for you And you scream, and it misses, and another hand, Soiled, hairy, lustful, reaches out for you And you faint, and it misses: when you come to, You say, looking up weakly: "Did you notice? The second one had on a wedding ring." May the Devil fly away with the roof of the house That you and I aren't happy in, you angel! And yet, how quickly the bride's veils evaporate! A girl hesitates a moment in mid-air And settles to the ground a wife, a mother. Each evening a tired spirit visits Her full house; wiping his feet upon a mat Marked Women and Children First, the husband looks At this grown woman. She stands there in slacks Among the real world's appliances, Women, and children; kisses him hello Just as, that morning, she kissed him goodbye, And he sits down, till dinner, with the paper. This home of theirs is haunted by a girl's Ghost. At sunset a woodpecker knocks At a tree by the window, asking their opinion Of life. The husband answers, "Life is life," And when his wife calls to him from the kitchen He tells her who it was, and what he wanted. Beating the whites of seven eggs, the beater Asks her her own opinion; she says, "Life Is life." "See how it sounds to say it isn't," The beater tempts her. "Life is not life," She says. It sounds the same. Putting her cake Into the oven, she is satisfied Or else dissatisfied: it sounds the same. With knitted brows, with care's swift furrows nightly Smoothed out with slow care, and come again with care Each morning, she lives out her gracious life. But you should gush out over being like a spring The drinker sighs to lift his mouth from: a dark source That brims over, with its shining, every cup That is brought to it in shadow, filled there, broken there. You look at us out of sunlight and of shade, Dappled, inexorable, the last human power. All earth is the labyrinth along whose ways You walk mirrored: rosy-fingered, many-breasted As Diana of the Ephesians, strewing garments Before the world's eyes narrowed in desire. Now, naked on my doorstep, in the sun Gold-armed, white-breasted, pink-cheeked, and black-furred, You call to me, "Come"; and when I come say, "Go," Smiling your soft contrary smile … He who has these Is secure from the other sorrows of the world. While you are how am I alone? Your voice Soothes me to sleep, and finds fault with my dreams, Till I murmur in my sleep: "Man is the animal That finds fault." And you say: "Who said that?" But be, as you have been, my happiness; Let me sleep beside you, each night, like a spoon; When, starting from my dreams, I groan to you, May your I love you send me back to sleep. At morning bring me, grayer for its mirroring, The heavens' sun perfected in your eyes.
