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Winter 1988 • Vol. X No. 1 • Nonfiction |

Bruegelian Assurance: On an Image Group in Children’s Games

Anna’s soul was put at peace between them. She looked from one to the other, and she saw them established to her safety, and she was free. She played between the pillar of fire and the pillar of cloud in confidence, having the assurance on her right hand and the assurance on her left. She was no longer called upon to uphold with her childish might the broken end of the arch. Her father and her mother now met in the span of the heavens, and she, the child, was free to play

—D.H. Lawrence, The Rainbow

You are looking at a black and white reproduction of a Bruegel painting that is crowded with people.
Fig. 1 Bruegel, Children’s Games. Courtesy of the Skanzlei Museum of Art History, Vienna.

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