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Summer 2014 • Vol. XXXVI No. 3 • Fiction |

Forty Days in the Desert

It’s raining sand. Fine, warm, flaxen sand. It drifts down like powdered sugar and dusts the trees and lawn furniture. No breeze distracts this sand from its sharp incline, straight down. It trails away skyward, a faint yellow smudge in a cloudless expanse. Such an apparition hardly gathers any attention for hours. No one seems to notice the slow buildup of grit, a grainy patina on what many neighbors already consider an eyesore. The mounds of tires, the tattered lawn furniture, the junked cars, the mailbox crafted from an engine block. Somehow a dusting of sand makes this ramshackle ranch house on an unpaved road in an unincorporated expanse seem staged and muted—as if our lens is smudged with a bit of white lithium grease. The sand goes unnoticed. It is, admittedly, a dusty place.

Noah does notice the sand, but assumes a wide broadcast is in progress. He does not think for a moment that this gritty manna is bestowed upon him alone. So he collects a broom and begins sweeping. He starts on the porch, working the sand from the corners and whisking it into his alkali yard. He shakes off the lawn furniture, replacing each chair to its carefully ordained position, then returns to the porch only to find a thin coat of sand has reappeared, now divided diagonally by a set of paw prints. The Rottweiler stands at the edge of the porch—as if lost in spiritual considerations—before shaking the baptism from its body. It yawns and saunters between the maimed dirt bike and the wheelbarrow of carburetors, finding solace in the doorless garage. Noah notices a stream of sand skiing off the brim of his hat, and for the first time senses that this will be a special day.

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R.T. Jamison, an Idaho native, has plied a variety of trades, including graphic design, advertising, and bait sales. After living in Phoenix Metro, Chicagoland, and Tokyo, he now resides in Northern California with his wife who rescued him and a dog they rescued together. His fiction has appeared in Sou’wester, Wisconsin Review, and ZYZZYVA, among others.

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