Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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Fall 2024 • Vol. XLVI No. 4 • Rural Spaces |

Cult Classic: The Thousand Oaks Youth Ranch in Corsicana, Texas  

I buried things in my baptism: any & everything 
with a name, with a face I could learn to love.
According to the adults, it was time to
be saved or be brazen enough to lie.
They circled the flare of us—children
buzzing round the bed of the bonfire
with our Bibles and the sticky vowels
of our horns—calling down the full-chested
sun to breach the olive-green edge
of earth at the end of the church
camp’s yard. Summer’s sacrifice, I was
already filled with sulfur.
Someone else confessed to pleasure:
to boyfriends and booze and blunts
but somehow, I was fingered
the culprit. One by one,
my teachers bothered me
for the truth, for the sins
I needed to shed. Of course,
I said, myself. I’ve only kissed
myself. I’ve only known myself.

Not enough, they said.
Burning in hell, they said.
And burn I did. Same as all of us
too-young-to-knows
clasping together our hands
round the fire. Together
with our necks thrown open,
bare and thin beneath the saturated sky,
together we drowned
out the sound of any possible answer
with our prayers.

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Photo of Faylita Hicks

Faylita Hicks is a queer Afro-Latinx multi-disciplinary artist, writer, hoodoo practitioner, and cultural strategist advocating for people directly impacted by the carceral system. An Art for Justice Fund grantee, voting member of the Recording Academy, and winner of the 2020 Sappho Poetry Award from Palette Poetry, they are the author of A Map of My Want (Haymarket Books, 2024) and HoodWitch (Acre Books, 2019), a finalist for the 2020 Lambda Literary Award for Bisexual Poetry. Currently based in Chicago, they are working on their forthcoming memoir about their pretrial incarceration, A Body of Wild Light (Haymarket Books, 2026), their next contemporary jazz-infused spoken word album, and a digitally immersive performance piece tentatively entitled The Echoes.

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The Kenyon Review · “Clearing Lines” by Rodrigo Toscano Already have an account? Log in Join KR for even more to read. Sign up for a free account and read […]

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