Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

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Jan/Feb 2019 • Vol. XLI No. 1 • Poetry |

National Anthems in a Nuclear Era

1
O, say can you seeeee
us

from here? The Bomb answers Yes,
dear.

2
Like a wax statue in the low Italian sun, losing form, Il Duce’s
corpse “flung to raging mob,” one subhead reads
in a microfiche daily: how the partigiani men hung him
bat-inverted by his pilloried feet
above a street in Giulino. In the week that followed, a relative
from Napoli sent clipped photos, a mockful note
to our people in the States. Which loosely I translate: ‘Ciao
Lucy — look at him
now: last year’s king. . . .’

3 nucleomituphobia
At present is the cherry-plum
just out of reach — I see it
is poised to drop. I’m picturing, already,
something else
not mentioned but, nonetheless, under-
stood to be waiting
in that sealed-up place our dreaming
should’ve been, that desert
base where bright-green fields held forms
of water, once, twice
their size, cupolas of dew, moisture
we’re made of balanced
on each individual blade I imagine now
as a word for mercy
in a language I don’t know — &, so,
cannot be undone
at present. But even that word for grass
is a weapon.

4 A bridge is a symbol that stands for itself (like god, or soap, or the u.s. of a.), so when it fails, it fails two ways
 — what they didn’t know, at first, as they lowered the men, known as

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Brian Tierney’s poems have appeared in, or are forthcoming in: New England Review, Gettysburg Review, AGNI, FIELD, Best New Poets, Poetry Northwest, and others. A former Wallace Stegner Fellow in poetry at Stanford University, and a graduate of the Bennington College MFA Writing Seminars, he was named among Narrative Magazine's "30 Below 30" emerging writers in 2013. He is winner of the 2018 George Bogin Memorial Award from Poetry Society of America, and currently lives in Oakland, Ca., and teaches poetry for The Writing Salon, a Berkeley/San Francisco-based community workshop.

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