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Summer 2023 • Vol. XLV No. 3 Poetry |

The Wind Against My Shadow

Even the blade of grass, more transparent than memory.
Even the passing that happens unexpectedly
like the cutting of a branch.
Even the delirium grinning behind a mask.
Even the fumbling stubbornness of rectitude.  
Even the loneliness of torture.
Even the cacti drinking the salt of the earth.
Even the infected blood.
Even the vibration of the most distant silence.
Even the sacred mummy of the resurrection.
Even the imprint of your blasphemous past.
Even the unconscious, like a delusional raven.
Even my rage.
Even desire.
Even the heat — human / animal — of bodies.
Even oblivion.
Even my faraway and forgotten home.
Even melancholy. 
Even the child who was saved from the abyss.
Even the cold in my bones. 
Even impotence.
Even my vision, clumsy and obscured.
Even the dried ink of a love affair.
Even pain, like a wounded panther.
Even the fire, consumed and consummated.
Even the water we will not drink.
Even the wind against my shadow.
Everything,
reluctantly,
hastens
	like a tempest
		toward the disaster. 

Santiago Vizcaíno is an Ecuadorian writer who has published poetry, short stories, novels, and essays. He currently directs the Publications Center at the Pontifical Catholic University of Ecuador. In 2020 and 2021 he curated the Quito International Book Fair, and in 2022 he served as juror for the Casa de las Américas Award in Cuba. These translations are taken from his most recent publication, a poetry collection titled El viento a contrapelo de mi sombra (The wind against my shadow).

Kimrey Anna Batts is originally from East Tennessee. Following graduation from the University of Michigan, she moved to Ecuador, where she lived for many years. She currently resides in Mexico, where she works as a freelance translator and dutiful servant to five cats and two dogs. Her translations of Latin American poetry and fiction have appeared in a variety of literary journals, and her full-length publications include translations of works by Santiago Vizcaíno, Antonio Ramos Revillas, and César Eduardo Carrión.

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