the handbills shrill, in searing orange-crimsons. Any century. There will always be these two opponents, circling for a throat-hold. Call them Plus; and Minus. Call them Void; and Matter (from before there even were "centuries," or any creatures capable of notching an antler into a lunar calendar). Sperm; and Ovary. Belief; and Doubt. Thrift; and Bounty. Steady-state; and Ever-expanding. Curse; and Blessing. Versus is the only engine possible under the physical laws of our universe. Slyly hip to this most elementary of verities, the carny barkers are briskly pitching the wonders of that asterisk-heralded titular battle scheduled for noon in the center tent, twixt Dragon Sam, the Great Exhaler of Gouts of Amazing Flame (whose claim was, he could "conflagrate to the length of four bull elephants trunk-to-tail," and for a coda "thrust a white-hot coal inside his fundament, as a suppository"); and Liquid Dan, the Living Geyser, Fountain of Fantastic Feats (and who, in fact, could down one hundred mugs, then spout a grandly arching shower into a silver basin twenty feet away, "and you will see this stream change into a series of rainbow colors"). Fire; and Water. The ancient story. And so the tent can barely hold the crowd. And isn't this—because it's 1800—just a sideshow version of the clash between the Neptunists and the Vulcanists at scholarly colloquia? Such contumely heaped like buckets of rhinoceros dung by stammering men of letters over one another's anger-reddened heads! … will clearly demonstrate, for all time, and beyond all skepticism" [here, a glare of poison spear—tips at his colleague with the whiskers] "that the agents of geological change have been—since the Creation, to the Present Day—the rising and recession of the Waters, and the work of Rain and of Rivers upon the land. As to the specious, vapid, dunce-expounded theory of the primacy of' [forcing out a jackass laugh] "volcanic action evidenced at all …." [Rah! Rah! and Bah! go soak your beanbrain in your Waters! and Tell them, Chauncey!] at which, the bewhiskered proponent of Lava and Magma leaps up to the podium, as heated as his subject, and: "You demonstrate the intellect of a tuber!" [Huzzah! and also some Boo! and a single Let them go at each other with rowboat oars!] "The work, the immemorial work, of the Fires …." "Charlatan!" "Pestilential lout!" [and then it all breaks down beneath the weight of assorted professorial catcalls, thrown tomatoes, hoots, and mooshed-in noses]— Scene: A Farmer; and a Cattleman. Monotheism; and Pantheon. Electric; and Acoustic. There will always be the bringing forth of Light, from Dark, and then a cosmos built on that division. There will always be two sixteen-year-old lovers screwing madly, for the contrast, on top of a grave. Scene: He's back at the house, from the pasture. There's this moment in his day—the sheep are tallied-up, and penned; the silo, locked; the children, safely, even quietly, at their various indoors busyness—when everything seems to fit foursquare in its own ordained container, and the sky is the color a rose is, and the dusk against his face is like another face, familiar, soft. And then—what does it? a kind of sound? some reminiscent whiff?—he has an image of the cattle ranchers surging over everything, and suddenly aversion is a sickness in his belly, is a taste, and hatred roils through his forehead from a place in him so deeply lodged in Time, there aren't solids yet, or sentience, and protein wars with protein.
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