These are my wartime experiences, that no one has considered Occurring while one reads my poetry, as I am dead. The pacific war pacified no one, and that's not my face, on the figure in mind, grimed with tropical combat. It's the cover of an edition of The Naked and the Dead. I don't want to talk. Their piquant questions are too scholarly for one who's chatting with her gynecologist over the stirrups. Nude as a nut I told her I had two new books of poetry out "How are they being received?"she asks and then that I grip her finger with my vaginal muscles, "in case of leaks." The layers of war come to order and proclaim themselves discernible each decade with its enemies, mustard and wasabi, signifiers and confession whatever that is, a faked statement after torture. They snag us in their roaring gears; no one in Your generation has ever killed a person It breaks the body to push out babies, I got red stars all over my chest Some of the immigrants, machete users at age twelve, won't make it. The Union's too unwieldy, we can't recognize any more faces as our own—fact is we don't know How to be human. The poet watches a grenade explode; I'm communicating with the dead again it makes the gears go crazy I have just undergone a bonafide 1970s panic attack; the poet was already dead by then and I never met him anyway. Panic also temporarily discombobulates the gears. I might die but maybe I'll just give the perceptual frame a good whack The poet tells me there's a real problem with the human person it can't cope with its genius the poetic for an example an extraordinary art delineating our being as it's lived, no one listens he says not even my best friends, I have to fight them. The world is at war with poetry he says, never smiling, beneath the ludicrous green netted helmet. I'm adrift from my goals at last, winning the war They were purposefully stupid then tugged at you You've always been nice after all. He playacted, couldn't stand it; the way you write only one war novel Because it continues. My birthday's full of dust I'm going to throw on the machine. He's always been a part of me hasn't he In the back room we two are creating an international culture of the ancient word.
