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Spring 1991 • Vol. XIII No. 2 • Poetry |

Knights of the White Camellia & Deacons of Defense

They were in a big circle
Beside Mitch Creek, as it murmured
Like a murderer tossing in his sleep
Between a wife & daughter, demure
As Sartre’s Respectable Prostitute
On a feathered bed in July.
The Sacrament. A gallon
Jug of bootleg passes from hand
To hand. An orgy of nightbirds
Screeched under the guillotined
Moon that hung like a target
Reflected against each robe.
Bibles, icons, & old lies. Names
Dead in their mouths like broken
Treaties. A spired & cupolaed
Dominion for bloodhounds. Apparitions
Tied to the Lily-cross & Curse.

Next day, in the hard light,
In a show of force,
Dark roses out-bloomed
Camellias, a radiance
Not borrowed from the gleam
Of gun barrels. Sons
& daughters of sharecroppers,
Who made sawmills
& cotton fields hum for generations,
Encircled the slow-footed
Marchers like an ebony shield
Bullhorns blared, German
Shepherds whined on choke chains,
& swaggering billy clubs nudged spring.
Resistance startled crape myrtle
& magnolia, while a clandestine
Perfume diluted the tear gas.

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Yusef Komunyakaa’s seventeen books of poetry include Taboo, Dien Cai Dau, Neon Vernacular (for which he received the Pulitzer Prize), Warhorses, and most recently The Chameleon Couch and Testimony. His many honors include the William Faulkner Prize (Universite Rennes, France), the Ruth Lilly Poetry Prize, the Kingsley Tufts Award for Poetry, and the 2011 Wallace Stevens Award. His plays, performance art, and libretti have been performed internationally and include Saturnalia, Testimony, and Gilgamesh: A Verse Play. He teaches at New York University.

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