Read the winning piece of our 2025 Nonfiction Contest “Through the Mirror” by Jessie Cato selected by Lucy Ives.

Read

Summer 2025 • Vol. XLVII No. 3 • Forough Farrokhzad Folio |

Melancholia #5

For in the heavens,
the binding of my travel journal.
I sowed with the sun,

in the limbless alleys,
in the doorways empty of women,
I was scorched by the sun.

It’s hard to picture this breakage.
The picture of this breakage, my dear
dear one.
It’ll disturb the mental balance of a mirror.

Invite me to my childhood garden!

For I have fallen from the heights
of prayers.

—When the morning was the distance between hands and eyelids—
The desert was filling up with dawn,
with conditional talks,
with moment-by-moment pauses,
with my hands
that plucked the suspicious designs,
the hedges and conspiracies,
from the face of the morning.

Now, all the blues of the sky
are flowing in my damp handkerchief.
And from the luckless roads,
the sparrows have brought the twilight
down to my home.
The idle sparrows,
the sparrows of the days off . . .

Already have an account? Log in

Join KR for even more to read.

Sign up for a free account and read any five pieces a month.
Sign Up and Read for Free



Or become a subscriber today and get complete, immediate access to our digital archives at every subscription level.
Photo of Forough Farrokhzad

Forough Farrokhzad (1934–67), is known in Iran as one of the most influential female poets of the twentieth century. Challenging the traditional limits of Iranian literature and social norms, her work is celebrated for its unique blend of social commentary and personal reflection. Farrokhzad’s contributions to the world of cinema, particularly the documentary The House Is Black, highlight her legacy as a pioneering voice for change in Iran.

Kenyon Review logo

Yadollah Royai (1932–2022), a seminal figure in modern and experimental Iranian poetry, was the author of eight books of poetry and four books of essays and interviews. His writing is the subject of several works of criticism. Royai was named Chevalier of the Order of Arts and Letters by the French Ministry of Culture and was nominated for the Nobel Prize in Literature.

Photo of Kaveh Bassiri

Kaveh Bassiri is an Iranian American writer and translator. He is the author of 99 Names of Exile (Newfound, 2019), winner of the Anzaldúa Poetry Prize, and Elementary English (Ahinga Press, 2020), winner of the Rick Campbell Chapbook Prize. His translations have appeared in the Chicago Review, The Common, Denver Quarterly, The Massachusetts Review, Two Lines, Colorado Review, and Guernica. Bassiri is the recipient of a 2022–23 Tulsa Artist Fellowship, a 2021 Arkansas Arts Council Fellowship, and a 2019 translation fellowship from the National Endowment for the Arts.

Read More

Upcoming
Workshops

Subscribe

Your free registration with The Kenyon Review includes access to exclusive content, early access to program registration, and more.

Donate

With your support, we’ll continue 
to cultivate talent and publish extraordinary literature from diverse voices around the world.