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Forough Farrokhzad (1934–67), is known in Iran as one of the most influential female poets of the twentieth century. Challenging the traditional limits of Iranian literature and social norms, her work is celebrated for its unique blend of social commentary and personal reflection. Farrokhzad’s contributions to the world of cinema, particularly the documentary The House Is Black, highlight her legacy as a pioneering voice for change in Iran.
Nader Nazmi’s poems and poetry chapbook have appeared in the International Poetry Review, Tusitala, and Troika. Born in Tehran, Nazmi has spent his adult life in Chicago, Washington, DC, New York City, and Boston, where he currently resides. He enjoys reading and translating poetry in English, Farsi, Portuguese, and Spanish.
Melancholia #6
By Forough Farrokhzad and Yadollah Royai, translated by Kaveh Bassiri
Ali
By Mahta Riazi
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from From Nima On: A Selection of Contemporary Iranian Poetry
By Forough Farrokhzad, translated by Michelle Quay
1.In my blank verse poems, I conceive of meter and rhyme differently. When I lengthen or shorten various lines, it’s not based on whim or fancy. Even in the disorder […]
Melancholia #6
By Forough Farrokhzad and Yadollah Royai, translated by Kaveh Bassiri
Night, at a gallop of the dark horsea line of trees remains.In the four galaxies of the horseshoe,a line of trees was passing without a neigh.A severed vein opened its […]
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